What a day, what a last few weeks

It’s so far been great.  I've been strict, and set some good deadlines that iv managed to meet.  I won’t bore you with the list but I will show you some of the fruits of my labour.

Picked up these today from the printers, extremely happy with Bullseye for the amazing quality and fast turnaround, they are my favourite people ever and as they are local, it makes sense to work with them again.  

My small collection of illustrations have been carefully printed onto the best 350gsm Munken Pure Rough are ready to be letterpressed tomorrow.  Thursday will be a day spent printing and getting inky.  I’ll also be training a new member of the team so it will be a fun day and a good wind down to the week.

I should add that these ranges will be exhibiting at The Wedding Project at Sutton House this Sunday.  

obsessed with..

Sausages today, redid my business cards - NON LETTERPRESS just so i can have this image.

The National Wedding Show

Will be heading here this weekend.... to see the team from Rock My Wedding, an ideal opportunity to gain inspiration and insights into wedding trends for 2012 and beyond!

Straying off the letterpress path ever so slightly to indulge in a bit of fabric printing.  This is a sketch of my queenie prints that i'm looking to get made for the diamond Jubilee. 

Last time I dabbled in scarf printing, I received some horrific sampling and then shelved the whole idea.  Until now.  Ivo Prints comes highly recommended, so I am much excited to be putting my work through with them. 

30th March 2012 - Very Impressed Launch Date

A bit of a downer, the launch date for Feb is again being put back..  No one to blame, this is simply down to the fact that I’m leaving my current job and have been busy involved in a handover and making some adjustments and space at home.

Also I’m still having some problems with the website that I’m hoping to resolve next week.    

Didn’t plan on having these distractions, (especially with wedding season looming) I wanted to be free to print and design.  Anyway hoping that the delays are sorted soon.

30th March 2012 is the new launch date, fingers crossed nothing else goes wrong.

QUEENIE

Getting to work this weekend on some Queenie Diamond Jubilee prints.  Not a Royalist but am sure to be hyped centred around an extended weekend in on 2, 3, 4 and 5 June.

60 years of The Queen's reign

The Queen came to the throne on 6 February 1952 and her coronation took place on 2 June 1953.  She celebrated her Silver Jubilee (25 years) in 1977 and her Golden Jubilee (50 years) in 2002.

History of The Wedding Invitation

Before 1447 when Johannes Gutenberg invented the printing press, weddings were announced by the local town crier, walking the streets yelling out for all to hear.  Some aspects of "greetings" or "announcements" have remained the same, while the overall art has changed dramatically.

Before the printing press, the noble were the only ones who used paper invitations, hand calligraphy crafted by monks skilled in the art.  The invitation was sealed with a wax seal carrying the crest of the family.  Then around 1798 lithography was invented and the possibility of producing sharp inking without engraving, and the mass market for wedding invitations emerged.

Shortly after World War II, the world was caught up in industrial growth, and the new nobility of the country appeared.  It was during this period that thermography was developed with a cost effectiveness that allowed a way for everyone to afford beautiful invitations.

Engraving and letterpress were the printing choices of the wealthy, and continued through the ages, with letterpress making a resurgence in the past few years. Offset printing, as well as laser engraving has been gaining in popularity due to the popular use of multiple ink colours, extreme graphics, the use of wood veneer, acrylic and metal for creating invitations.

The other printing methods help with cost effectiveness and still allows for creative pieces to be created.  Colours of ink have high variation between the different printing types.  Most all companies will have colour swatches for customers to view, and you can pantone colours as well.  The most notable differences are in metallics.  Silver thermography for example will have a blue/green, flat appearance, gold more of a yellow/green colour, and copper looks more like a reddish brown.  

Today’s brides like coloured ink, elaborate design and layered paper choices, but they want it to cost nothing.  In order to help with that budget, bear in mind the printing choices are just as important as the design to ensure you create a masterpiece at low cost. 

There are basically five different print types: flat print, silk screening, thermography, letterpress and engraving.  While there are some newer processes coming into play, using mediums other than paper, these are your main working choices.

Flat Print/Offset
Flat print is the most common form of print.  It is important to remember price is directly related to the printing type.  Anytime you are printing on a lighter paper stock or copy paper, around 65lb, you will be using flat print.  This is mainly printed on ink jet or laser printers.  Flat print is great for using multicoloured graphics, but nearly always needs to be darker than the paper stock.  White ink can not be used on flat print; the ink bleeds into the paper and becomes invisible.  If you want to have a light ink on dark paper without high cost then silk screening would be your better choice.
Some companies will also do what is called a reverse out, giving the appearance of white ink by using white paper and then colouring in the design blocking out the pieces you want to come through as white - giving the impression that white lettering was used.

Silkscreen
Where flat print cannot be used on dark coloured paper stock, silk screening can.  It is similar in look and feel to flat print, but depending on the company and processing techniques it can have a slight raise and waxy feel like that of thermography.  Silk screening uses a high pressured machine to shoot ink on the paper, repeatedly, layering the ink on the paper.

Themography
The number one most popular form of printing today, most economical and a very beautiful end product.  The look of thermography is similar to engraving, and many people cannot tell the difference if they do not know what to look for.  Thermography was made to mimic engraving, it is a powder lain on top of the paper, using a heat process and a disposable plate, it gives a raised feeling to the touch and has a shiny almost waxy sheen.
Similar to flat print, you cannot use thermographic inks on dark coloured paper.  The nature of the thermographic inks are transparent and therefore disappear. You can however use multiple ink colours.  It requires you have to do multiple runs on the printing press for each ink colour you use.  It increases the cost for each press run.

Letterpress
Letterpress like engraving and thermography uses a plate, the difference being is that the plate is made with your motifs and/or text, and then pressed into the card stock.  The indention of the plate places your ink and design on the paper and creates your custom invitation.  New plates are made for every invitation and can be kept on file for future use or keepsakes.  Letterpress printing is definitely one of the most beautiful, because of the graphic capability and feel of the final product. Because of the letterpress process, the indentation of the paper requires that the paper have high content of cotton making for a very heavy invitation and increasing mailing costs. The paper however is very soft and just a beautiful work of art.

Engraving
Engraving is the oldest form of printing and the process is the opposite of letterpress.  The plate used in engraving is pressed up from the back of the paper, and ink and paper become one.  Like letterpress, engraving allows you to create beautiful graphics, high detail graphics, multicolour graphics, and inks that touch and cross each other. 

Invitation Choices
Contemporary, classic, destination, themed or a custom design all can be created with graphic designers, or using pre-created motifs available from the printing vendors.  Many modern invitations today reflect popular design trends, using ink colour combinations, damask prints, creative wraps, layering paper, and other design motifs, whilst the classic, simple and traditional invitations are still very popular and very elegant.

Choices of fonts can give an invitation the look of hand calligraphy, it can be laid out to allow the bride and groom names to stand out from the other text, and allows customers to reflect their style.  Some people prefer block style typeface, some love script, and yet others want it to have a fun relaxed feel.  You can create the definite feel of the invitations by the choice of the font.  

Pocket invitations are quite popular in today’s society.  They allow the bride to showcase her beautiful invitation, and bring all the other details to her guests in a polished, unique presentation.

Whatever choice the bride makes on graphics, colours, paper, rhinestones, ribbon and print style, there is nothing that cannot be created today.